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Taking you to the Arts and Human Rights Permanent Exhibition
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Transporting you to the Human Rights Permanent Exhibit
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SMASHING TIMES - PROPOSED 'UPSILON GALLERY'


The proposed 'Upsilon Gallery' is a 100% virtual space created exclusively for Smashing Times. It uses cutting edge software and techniques drawn from a broad range of disciplines such as CAD, gaming and animation. It leans on academic research, applied theory and design experience to address accessibility issues but also to enhance the aesthetic experience for 21st century platforms and use cases, taking account of the 60-70% of viewers who use mobile devices. The gallery will work on any computer, smartphone or on a VR headset


This is an initial low-resolution and undetailed indicative 'sketch' with very basic lighting but serves to illustrate the basic principles at hand. The final output would be in high resolution and aims toward photorealistic.


The gallery is designed in such a way as to provide spaces that are contiguous but may be lit / painted and treated to provide discrete 'environments' such as the work being exhibited may dictate. The draft gallery is created 'in the round' to allow self-directed exploration by the visitor in any direction.


The gallery space is navigated primarily by clicking on the walls of where the viewer wants to go or on active icons on the floor like 'street View' - these are kept to a minimum to provide minimal distraction from the work. The wall contents may be interactive depending on the requirements of the exhibition. When a viewer is standing in front of a wall, clicking on the work may be set to pop up a high resolution image, it may call an external web page or display any digital or digitised media.


The main projection screen itself is also interactive and embedded within the space so that when the visitor reaches the viewing point, the video work(s) may play automatically, or may be triggered by clicking and / or selecting which of several pieces are to be shown. This embedded filmic approach may be replicated throughout the gallery in the form of smaller screens such as may be presented currently through TV monitors.


The gallery may accommodate anywhere from 30 up to hundreds of works depending on the density of work as required by the curatorial team. It is large enough to allow a smaller number of works to each be treated independently in terms of viewer eye-line/intertextuality and providing independent lighting / wall colouration. Equally, in the manner of a large open call exhibition, it can accommodate many hundreds of pieces on the walls. Additional temporary architecture and walls may be created within the 4 x 10m wide octagonal spaces should further wall space be required or there would be space for 3D sculptural objects or tables of objects such as an exhibition may require.


[The digitisation / production of such 3D pieces from original sculpture is complex and time consuming but with sufficient time and budget, is generally achievable as may be seen in the 2020 RUA Virtual Exhibition www.royalulstaracademy.org]


Once created, the 'physical fabric' of the gallery may be updated as many times as may be required to provide an ongoing exhibition programme as well as allowing extant archives to be presented or re-experienced. This also offers opportunities to consider guest curation, project-specific exhibitions or even the inclusion of live-streamed events such as theatrical performances


Because each exhibition is created within the space independently of previous / existing exhibitions, multiple versions of the gallery can exist at any one time and / or may be linked together so a viewer may choose their own aesthetic and contextual experience rather than being limited to the current show.


Gallery dimension & capacity
The gallery contains 114 meters total of display wall width. All walls are 6m tall:


23 white walls of 4m width
2 x dark walls of 4m width,
2 x dark walls of 7m width


A dark space / projection wall creates the central hub. This space allows full-wall 16:9 wide screen projections 10m x 5.6m but all walls plus floor and ceiling in the space may be used for projection or for work requiring a dark space environment


Excluded in the display width calculations above is the 10m wide dark wall first seen on entering the Gallery Space. This is presented here as an 'introduction' to the space but may be used as an extra 10m width of gallery space should that be desirable


The Gallery space presented is the core space of an infinitely expandable gallery pattern. It is based on a tessellated mathematical pattern often used for mazes that can be expanded to suit the gallery needs for any particular exhibition.
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SMASHING TIMES - PROPOSED 'UPSILON GALLERY'


The proposed 'Upsilon Gallery' is a 100% virtual space created exclusively for Smashing Times. It uses cutting edge software and techniques drawn from a broad range of disciplines such as CAD, gaming and animation. It leans on academic research, applied theory and design experience to address accessibility issues but also to enhance the aesthetic experience for 21st century platforms and use cases, taking account of the 60-70% of viewers who use mobile devices. The gallery will work on any computer, smartphone or on a VR headset


This is an initial low-resolution and undetailed indicative 'sketch' with very basic lighting but serves to illustrate the basic principles at hand. The final output would be in high resolution and aims toward photorealistic.


The gallery is designed in such a way as to provide spaces that are contiguous but may be lit / painted and treated to provide discrete 'environments' such as the work being exhibited may dictate. The draft gallery is created 'in the round' to allow self-directed exploration by the visitor in any direction.


The gallery space is navigated primarily by clicking on the walls of where the viewer wants to go or on active icons on the floor like 'street View' - these are kept to a minimum to provide minimal distraction from the work. The wall contents may be interactive depending on the requirements of the exhibition. When a viewer is standing in front of a wall, clicking on the work may be set to pop up a high resolution image, it may call an external web page or display any digital or digitised media.


The main projection screen itself is also interactive and embedded within the space so that when the visitor reaches the viewing point, the video work(s) may play automatically, or may be triggered by clicking and / or selecting which of several pieces are to be shown. This embedded filmic approach may be replicated throughout the gallery in the form of smaller screens such as may be presented currently through TV monitors.


The gallery may accommodate anywhere from 30 up to hundreds of works depending on the density of work as required by the curatorial team. It is large enough to allow a smaller number of works to each be treated independently in terms of viewer eye-line/intertextuality and providing independent lighting / wall colouration. Equally, in the manner of a large open call exhibition, it can accommodate many hundreds of pieces on the walls. Additional temporary architecture and walls may be created within the 4 x 10m wide octagonal spaces should further wall space be required or there would be space for 3D sculptural objects or tables of objects such as an exhibition may require.


[The digitisation / production of such 3D pieces from original sculpture is complex and time consuming but with sufficient time and budget, is generally achievable as may be seen in the 2020 RUA Virtual Exhibition www.royalulstaracademy.org]


Once created, the 'physical fabric' of the gallery may be updated as many times as may be required to provide an ongoing exhibition programme as well as allowing extant archives to be presented or re-experienced. This also offers opportunities to consider guest curation, project-specific exhibitions or even the inclusion of live-streamed events such as theatrical performances


Because each exhibition is created within the space independently of previous / existing exhibitions, multiple versions of the gallery can exist at any one time and / or may be linked together so a viewer may choose their own aesthetic and contextual experience rather than being limited to the current show.


Gallery dimension & capacity
The gallery contains 114 meters total of display wall width. All walls are 6m tall:


23 white walls of 4m width
2 x dark walls of 4m width,
2 x dark walls of 7m width


A dark space / projection wall creates the central hub. This space allows full-wall 16:9 wide screen projections 10m x 5.6m but all walls plus floor and ceiling in the space may be used for projection or for work requiring a dark space environment


Excluded in the display width calculations above is the 10m wide dark wall first seen on entering the Gallery Space. This is presented here as an 'introduction' to the space but may be used as an extra 10m width of gallery space should that be desirable


The Gallery space presented is the core space of an infinitely expandable gallery pattern. It is based on a tessellated mathematical pattern often used for mazes that can be expanded to suit the gallery needs for any particular exhibition.
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Manual Navigation
Use the mouse / touch screen to click and drag the image to look around.


Use scroll button or pinch to zoom.


Click any wall or image to move closer.


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Help with using the Tour
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Manual Navigation
Use the mouse / touch screen to click and drag the image to look around.


Use scroll button or pinch to zoom.


Click any wall or image to move closer.


When closest, click any item to popup more details.


Videos play on click - use control buttons at bottom of the screen to mute or skip


A clickable venue map is provided in the menu as an overview of the centre
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Help with using the Tour
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Use mouse scroll button or pinch to zoom


Click any wall or image to move closer to it


At closest, click any item to see more details.


Videos will auto play - use control buttons at bottom of the screen to mute, pause or skip


A clickable venue map is provided in the menu as an overview of the centre







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Gallery Three:


Sinners and Citizens State of the Art Gallery


The Smashing Times Sinners and Citizens State of the Art Gallery is a collection of artworks created by artists from across Ireland who are interested in using their artistic practice to promote human rights. The theme is State of the Art: The Nation State as both Violator and Protector ofHuman Rights, and was created for the Dublin Arts and Human Rights Festival 2021. The artworks are presented in venues across Dublin for the duration of the festival, but are also shown in a new way online, in the Sinners and Citizens gallery. This gallery lets the audience view artworks up close, and provides information on all of the artists involved, creating an accessible and engaging space for people across the world.


‘Sinners and Citizens’ is taken from a quote from Seamus Heaney:


“As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note. The very gunfire braces us and the atrocious confers a worth upon the effort which it calls forth to confront it.”


This virtual exhibition features artworks created by artists who are taking part in State of the Art: The Nation State as both Violator and Protector of Human Rights, a project implemented by Smashing Times International Centre for the Arts and Equality and supported by the Arts Council.


The gallery supports the work of artists who are engaged in creative practice and research on national and international best practice examples of arts and human rights from across Europe, linked to sociological and anthropological standpoints and a study of ‘art as activism’ from the personal to the political.


The artworks are inspired by the theme State of the Art: The Nation State as both Violator and Protector of Human Rights and by the UN Declaration of Human Rights, intersecting with equality, human rights and diversity and created under the framework of ‘Art as a Place of Performative Remembrance’ and ‘Art as Activism and Transformation’.
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State of the Art:


Transformative Memories in Political Violence Exhibition


The flagship event for the annual, international Dublin Arts and Human Rights Festival 2022 is the State of the Art: Transformative Memories in Political Violence exhibition, a multi-media installation and exhibition displaying a selection of artworks reflecting at both personal and political levels on themes of arts, human rights and transformative memory in political violence impacting on communities across the globe. The exhibition features artworks in a multitude of forms - film, video, poster art, visual art, photography, poetry, song, textiles, sculpture, painting, live performance and installation - and can be viewed on site and online


The State of the Art: Transformative Memories in Political Violence exhibition is hosted at The Chocolate Factory, King’s Inns Street, Dublin 1, and Gallery Space, dlr Mill Theatre Dundrum for the 2022 Arts and Human Rights Festival (14-23 October 2022) presented by Smashing Times International Centre for the Arts and Equality and Front Line Defenders with a range of partners and supported by The Arts Council. In addition to the onsite exhibition, a selection of work is available online via the Smashing Times Dublin Arts and Human Rights festival gallery.


The chapter of the exhibition at The Chocolate Factory features the work of artists responding creatively to themes of freedom, remembrance, political violence, transformation, power and control. The exhibition highlights the role of art in post-conflict transformative work and in transforming memory arising out of political violence, bringing together the work of twenty artists from the Republic of Ireland, Northern Ireland, England, Pakistan, Canada, Uganda, Indonesia, Colombia and Argentina, whose work explores conflict, war and the telling of stories arising out of political violence. The artists’ work is a response to conflict in a range of countries including the Republic of Ireland, Northern Ireland, Uganda, Indonesia, Colombia, Argentina, Nigeria, Syria, Chile, Palestine, Peru, Mexico, Spain, Poland and Germany and is also a means through which society can examine historic conflicts, enabling open discussion and exploration to play a part in the healing process, to provoke conversations, questions and an exploration of key issues.


The exhibition is curated by Mary Moynihan and Amna Wayalat and accompanying by a series of MemoLab activities – talks, workshops and live performances. The chapter of the exhibition hosted at the dlr Mill Theatre gallery features the work of writer and artist Mary Moynihan and visual artist Aman Walayat responding creatively to themes of freedom, change, transformation, power and control.


Partners
The exhibition and accompanying MemoLab talks, workshops and performances are presented in partnership with Smashing Times International Centre for the Arts and Equality, Ulster University, University of British Columbia, the Transformative Memory International Network, the Smashing Times Arts and Human Rights Network, Healing Through Remembering, Conflict Textiles, Justice and Reconciliation Project, Uganda and National Museums NI.


Key Questions:
What is the role of the arts in promoting transformative remembrance arising out of political violence and in remembering responsibility for mass and state sponsored violence and how can art arising out of political violence be transformative?


How does remembering responsibility in a creative way, shape present and future relations and ways of being together in land, community, country and global politics?
What are the processes of art from the ground up in making impactful activism using culture, creativity and memory?
The Artists for the State of the Art: Transformative Memories in Political Violence Exhibition are:
Mary Moynihan is a writer, theatre and film-maker, and Artistic Director, Smashing Times International Centre for the Arts and Equality, Ireland. Mary’s work explores stories linked to historical memory in war and conflict and focus on the role of the arts to promote equality and human rights. Mary is co-curator with Amna Walayat on the State of the Art: Transformative Memories in Political Violence exhibition for the 2022 Dublin Arts and Human Rights Festival. https://smashingtimes.ie/about/


Amna Walayat, visual artist and curator, Pakistan and Ireland, specialising in Pakistani miniature painting. Her work explores a range of themes including violence against women and feminism. Amna is co-curator with Mary Moynihan on the State of the Art: Transformative Memories in Political Violence exhibition for the 2022 Dublin Arts and Human Rights Festival. https://www.westcorkartscentre.com/amna-walayat


Hina Khan is a visual artist from Pakistan and Ireland, specialising in Pakistani miniature painting. Her work explores themes of migration, racism and human rights. https://visualartists.ie/arts-directory/directory-of-members-_/#!biz/id/5d39abdbf033bfab33f21b4c


Dr Sinead McCann is a Dublin based visual artist working across the mediums of performance, video, installation and sculpture often in a context, site or community specific way.
Erika Diettes (Bogota, Colombia) is a visual artist and social communicator who graduated from the Pontificia Universidad Javeriana and has a master's degree in Anthropology from the Universidad de los Andes. Erika’s work focuses on victims of violence. One of Erika’s focuses is her outstanding work with victims of the Colombian armed conflict, an exhaustive work that has been recognized and supported by each of the mourners and victims, who have contributed for her images not only their stories but the objects and crucial references in her creations. She is known internationally thanks to the different places she has taken her exhibitions and the awards she has received. https://www.erikadiettes.com/


Fernanda Barbosa, Photographer and Journalist, Colombia specialising in illustrations on land dispossession and peaceful democracies. https://www.musicinafrica.net/directory/jeff-korondo


Alit Ambara is a visual and graphic artist and cultural activist from Indonesia, specialising in poster art. He has engaged in various movements for upholding human rights and social justice in Indonesia and Timor Leste since the early 1990s creating posters to respond to social-political issues. He is the founder of Nobodycorp Internationale Unlimited, an initiative to encourage serious discourse about social or socio-political issues through its posters and under this label, he regularly disseminates political messages in thousands of images through various social media channels. https://indoartnow.com/artists/alit-ambara


Jeff Korondo is a solo musician, singer and songwriter from Uganda, whose work promotes a range of human rights issues including children’s rights and peaceful democracies.


Women’s Advocacy Network, Uganda: Artworks are on display from the Women’s Advocacy Network, Uganda with photography by Diana Ajok and the work is represented by Abiya Fatuma and Docus Atyeno, activists from Uganda, who present on the Bead Project, on Ugandan textiles and on the Women’s Advocacy Network. The Women’s Advocacy Network (WAN) is an association of women working for a better future after a long war in northern Uganda. The women were abducted as schoolgirls by the Lord’s Resistance Army, (LRA) who fought the Government of Uganda between 1987-2008 and forced into so-called marriages with rebel commanders with whom they bore children. On return, the women organized to support each other, share their stories, and encourage each other, telling their stories as survivors of conflict related sexual violence so that others with know exactly what happened. WAN has collaborated to tell their stories for more than a decade with the Transformative Memory International Network members Erin Baines (University of British Columbia) and poet Juliane Okot Bitek (Queen’s University) through life history books, publications, poetry and art.


Juliane Okot Bitek is a Kenyan-born Ugandan-raised diasporic writer, academic and poet, who lives, studies and works in Vancouver, British Columbia, Canada.


Peter Morin is a performance artist, a Tahltan Nation artist, author, curator and professor at the Ontario College of Art and Design, born in British Columbia, Canada and identifying as a member of the Crow Clan, whose work addresses issues of decolonization, Indigenous identity and language. https://en.wikipedia.org/wiki/Peter_Morin


Roberta Bacic, Curator of Conflict Textiles, Northern Ireland and Chile. roberta.conflicttextiles@gmail.com https://www.beyondskin.net/roberta-bacic-dancing-together Conflict Textiles is a large collection of international textiles which focus on elements of conflict and human rights abuses.The Conflict Textile pieces in the exhibition include works from Ana Zlatkes, Argentina, Linda Adams, England, Antonia Amador, Spain, Guadalupe Ccallocunto, Peru ,Sabah Obido, Syria, Irene MacWilliam, Northern Ireland, Roland Agbage, Nigeria, and Deborah Stockdale, Republic of Ireland, and donations of pieces from relatives of the disappeared in Chile, Colombia and Mexico.


Sandra Johnston, Northern Ireland, artist working in site-responsive performance and installation, often exploring the aftermath of trauma through developing acts of commemoration as forms of testimony and empathetic encounter. https://imma.ie/artists/sandra-johnston/


Michael McCabe is an actor, choreographer and facilitator with Smashing Times International Centre for the Arts and Equality, Ireland


Carla Ryan is a singer and actor with Smashing Times International Centre for the Arts and Equality, Ireland


Freda Manweiler is Company Manager and Producer for Smashing Times International Centre for the Arts and Equality


Ciara Hayes is Festival Producer for Smashing Times International Centre for the Arts and Equality


Dr Pilar Riaño-Alcalá, Institute for Gender, Race, Sexuality and Social Justice, UBC (Anthropology), The University of British Columbia.


Dr Erin Baines, School of Public Policy and Global Affairs, UBC (Political Science), The University of British Columbia.


Dr Paolo Vignolo, Universidad Nacional de Colombia, (History), The University of British Columbia.


Nila Utami, Transformative Memory Network Coordinator, PhD Researcher, Canada


Cate Turner, Study Visit Coordinator, Executive Director, Healing Through Remembering, Northern Ireland.


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State of the Art:


Transformative Memories in Political Violence Exhibition


The flagship event for the annual, international Dublin Arts and Human Rights Festival 2022 is the State of the Art: Transformative Memories in Political Violence exhibition, a multi-media installation and exhibition displaying a selection of artworks reflecting at both personal and political levels on themes of arts, human rights and transformative memory in political violence impacting on communities across the globe. The exhibition features artworks in a multitude of forms - film, video, poster art, visual art, photography, poetry, song, textiles, sculpture, painting, live performance and installation - and can be viewed on site and online


The State of the Art: Transformative Memories in Political Violence exhibition is hosted at The Chocolate Factory, King’s Inns Street, Dublin 1, and Gallery Space, dlr Mill Theatre Dundrum for the 2022 Arts and Human Rights Festival (14-23 October 2022) presented by Smashing Times International Centre for the Arts and Equality and Front Line Defenders with a range of partners and supported by The Arts Council. In addition to the onsite exhibition, a selection of work is available online via the Smashing Times Dublin Arts and Human Rights festival gallery.


The chapter of the exhibition at The Chocolate Factory features the work of artists responding creatively to themes of freedom, remembrance, political violence, transformation, power and control. The exhibition highlights the role of art in post-conflict transformative work and in transforming memory arising out of political violence, bringing together the work of twenty artists from the Republic of Ireland, Northern Ireland, England, Pakistan, Canada, Uganda, Indonesia, Colombia and Argentina, whose work explores conflict, war and the telling of stories arising out of political violence. The artists’ work is a response to conflict in a range of countries including the Republic of Ireland, Northern Ireland, Uganda, Indonesia, Colombia, Argentina, Nigeria, Syria, Chile, Palestine, Peru, Mexico, Spain, Poland and Germany and is also a means through which society can examine historic conflicts, enabling open discussion and exploration to play a part in the healing process, to provoke conversations, questions and an exploration of key issues.


The exhibition is curated by Mary Moynihan and Amna Wayalat and accompanying by a series of MemoLab activities – talks, workshops and live performances. The chapter of the exhibition hosted at the dlr Mill Theatre gallery features the work of writer and artist Mary Moynihan and visual artist Aman Walayat responding creatively to themes of freedom, change, transformation, power and control.


Partners
The exhibition and accompanying MemoLab talks, workshops and performances are presented in partnership with Smashing Times International Centre for the Arts and Equality, Ulster University, University of British Columbia, the Transformative Memory International Network, the Smashing Times Arts and Human Rights Network, Healing Through Remembering, Conflict Textiles, Justice and Reconciliation Project, Uganda and National Museums NI.


Key Questions:
What is the role of the arts in promoting transformative remembrance arising out of political violence and in remembering responsibility for mass and state sponsored violence and how can art arising out of political violence be transformative?


How does remembering responsibility in a creative way, shape present and future relations and ways of being together in land, community, country and global politics?
What are the processes of art from the ground up in making impactful activism using culture, creativity and memory?
The Artists for the State of the Art: Transformative Memories in Political Violence Exhibition are:
Mary Moynihan is a writer, theatre and film-maker, and Artistic Director, Smashing Times International Centre for the Arts and Equality, Ireland. Mary’s work explores stories linked to historical memory in war and conflict and focus on the role of the arts to promote equality and human rights. Mary is co-curator with Amna Walayat on the State of the Art: Transformative Memories in Political Violence exhibition for the 2022 Dublin Arts and Human Rights Festival. https://smashingtimes.ie/about/


Amna Walayat, visual artist and curator, Pakistan and Ireland, specialising in Pakistani miniature painting. Her work explores a range of themes including violence against women and feminism. Amna is co-curator with Mary Moynihan on the State of the Art: Transformative Memories in Political Violence exhibition for the 2022 Dublin Arts and Human Rights Festival. https://www.westcorkartscentre.com/amna-walayat


Hina Khan is a visual artist from Pakistan and Ireland, specialising in Pakistani miniature painting. Her work explores themes of migration, racism and human rights. https://visualartists.ie/arts-directory/directory-of-members-_/#!biz/id/5d39abdbf033bfab33f21b4c


Dr Sinead McCann is a Dublin based visual artist working across the mediums of performance, video, installation and sculpture often in a context, site or community specific way.
Erika Diettes (Bogota, Colombia) is a visual artist and social communicator who graduated from the Pontificia Universidad Javeriana and has a master's degree in Anthropology from the Universidad de los Andes. Erika’s work focuses on victims of violence. One of Erika’s focuses is her outstanding work with victims of the Colombian armed conflict, an exhaustive work that has been recognized and supported by each of the mourners and victims, who have contributed for her images not only their stories but the objects and crucial references in her creations. She is known internationally thanks to the different places she has taken her exhibitions and the awards she has received. https://www.erikadiettes.com/


Fernanda Barbosa, Photographer and Journalist, Colombia specialising in illustrations on land dispossession and peaceful democracies. https://www.musicinafrica.net/directory/jeff-korondo


Alit Ambara is a visual and graphic artist and cultural activist from Indonesia, specialising in poster art. He has engaged in various movements for upholding human rights and social justice in Indonesia and Timor Leste since the early 1990s creating posters to respond to social-political issues. He is the founder of Nobodycorp Internationale Unlimited, an initiative to encourage serious discourse about social or socio-political issues through its posters and under this label, he regularly disseminates political messages in thousands of images through various social media channels. https://indoartnow.com/artists/alit-ambara


Jeff Korondo is a solo musician, singer and songwriter from Uganda, whose work promotes a range of human rights issues including children’s rights and peaceful democracies.


Women’s Advocacy Network, Uganda: Artworks are on display from the Women’s Advocacy Network, Uganda with photography by Diana Ajok and the work is represented by Abiya Fatuma and Docus Atyeno, activists from Uganda, who present on the Bead Project, on Ugandan textiles and on the Women’s Advocacy Network. The Women’s Advocacy Network (WAN) is an association of women working for a better future after a long war in northern Uganda. The women were abducted as schoolgirls by the Lord’s Resistance Army, (LRA) who fought the Government of Uganda between 1987-2008 and forced into so-called marriages with rebel commanders with whom they bore children. On return, the women organized to support each other, share their stories, and encourage each other, telling their stories as survivors of conflict related sexual violence so that others with know exactly what happened. WAN has collaborated to tell their stories for more than a decade with the Transformative Memory International Network members Erin Baines (University of British Columbia) and poet Juliane Okot Bitek (Queen’s University) through life history books, publications, poetry and art.


Juliane Okot Bitek is a Kenyan-born Ugandan-raised diasporic writer, academic and poet, who lives, studies and works in Vancouver, British Columbia, Canada.


Peter Morin is a performance artist, a Tahltan Nation artist, author, curator and professor at the Ontario College of Art and Design, born in British Columbia, Canada and identifying as a member of the Crow Clan, whose work addresses issues of decolonization, Indigenous identity and language. https://en.wikipedia.org/wiki/Peter_Morin


Roberta Bacic, Curator of Conflict Textiles, Northern Ireland and Chile. roberta.conflicttextiles@gmail.com https://www.beyondskin.net/roberta-bacic-dancing-together Conflict Textiles is a large collection of international textiles which focus on elements of conflict and human rights abuses.The Conflict Textile pieces in the exhibition include works from Ana Zlatkes, Argentina, Linda Adams, England, Antonia Amador, Spain, Guadalupe Ccallocunto, Peru ,Sabah Obido, Syria, Irene MacWilliam, Northern Ireland, Roland Agbage, Nigeria, and Deborah Stockdale, Republic of Ireland, and donations of pieces from relatives of the disappeared in Chile, Colombia and Mexico.


Sandra Johnston, Northern Ireland, artist working in site-responsive performance and installation, often exploring the aftermath of trauma through developing acts of commemoration as forms of testimony and empathetic encounter. https://imma.ie/artists/sandra-johnston/


Michael McCabe is an actor, choreographer and facilitator with Smashing Times International Centre for the Arts and Equality, Ireland


Carla Ryan is a singer and actor with Smashing Times International Centre for the Arts and Equality, Ireland


Freda Manweiler is Company Manager and Producer for Smashing Times International Centre for the Arts and Equality


Ciara Hayes is Festival Producer for Smashing Times International Centre for the Arts and Equality


Dr Pilar Riaño-Alcalá, Institute for Gender, Race, Sexuality and Social Justice, UBC (Anthropology), The University of British Columbia.


Dr Erin Baines, School of Public Policy and Global Affairs, UBC (Political Science), The University of British Columbia.


Dr Paolo Vignolo, Universidad Nacional de Colombia, (History), The University of British Columbia.


Nila Utami, Transformative Memory Network Coordinator, PhD Researcher, Canada


Cate Turner, Study Visit Coordinator, Executive Director, Healing Through Remembering, Northern Ireland.


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Creative Eco-Centre for Climate Justice and Human Rights


Creative Eco-Centre for Climate Justice and Human Rights


Created by Smashing Times International Centre for the Arts and Equality and Concern



- Gallery Space with Art Exhibitions
- Information and Education Hub
- Social Media Space



A gallery space with artworks and images from young people and artists; an information and education hub; and a social media space – all aimed at promoting and raising awareness of global citizenship, climate justice and human rights.



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Creative Eco-Centre for Climate Justice and Human Rights


Creative Eco-Centre for Climate Justice and Human Rights


Created by Smashing Times International Centre for the Arts and Equality and Concern



- Gallery Space with Art Exhibitions
- Information and Education Hub
- Social Media Space



A gallery space with artworks and images from young people and artists; an information and education hub; and a social media space – all aimed at promoting and raising awareness of global citizenship, climate justice and human rights.



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Arts and Human Rights Festival Gallery


Sound On!


Artists: Sinead McCann and AlanJames Burns


3 audio tracks with different lengths, 2021


Sound On! is a creative sound art project presenting experiences of human rights and happiness for and by people with an intellectual disability. The artwork was developed over a six-month period through weekly on-line creative workshops. Everyone learnt new digital skills including how to record their voices and sounds using accessible sound recording and editing software.


Sound On! was facilitated and led by artists Sinead McCann and AlanJames Burns in collaboration with Aidan Winters, Conor Begley, David Carter, David Deane, Frances Quinn, Jonathan Smith, Keith Whelan, Laura Hickey, Niamh Fortune and Sean Winder who were supported to create fun and self-expressive sound artworks. Co–designers Niamh and Conor worked closely with the artists to design the delivery of the Sound On! project. This project was fully supported by Saint John of God Liffey Services support staff led by Assistive Technology facilitator Sarah Boland and Suzanne Cunningham through the Online Engage Programme. The music composition was created in collaboration with composer Conor O’Malley.


The initial ideas and creative processes for Sound On! were created through a creative research and development phase of the project facilitated and led by McCann and Burns in collaboration with Alex Kennedy, Chloe Larkin, David Carter, Eric Nolan, Jonathan Smith, Rachel Coss and supported by Saint John of God.


This project is funded by the Arts Council Artist in the Community Scheme, managed by Create and Kildare County Council Creative Ireland Community Grant.


Click on the 'play' button to hear the audio



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Gallery 2:


Smashing Times Arts and Human Rights Gallery - The Art of Rights


The Smashing Times Arts and Human Rights Gallery is a permanent collection that will be added to each year. We are honoured to feature work by a range of artists from across Ireland and internationally, showcasing artworks related to themes of equality, human rights and diversity.


The aim is to nurture a unique and innovative online home for celebrating and raising awareness of the arts for equality, human rights and diversity, a virtual space to showcase artworks and performances by diverse artists for diverse communities, inspired by themes of equality, human rights and diversity; courage, hope and resilience, and by human rights, climate justice and gender equality for all.


If you wish to donate an artwork for consideration for display in the gallery please contact info@smashingtimes.ie for further information.





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Gallery Five: Smashing Times Arts and Peace Gallery


Bogside Artists - The People's Gallery


Smashing Times have created a virtual arts gallery space in order to display multi-disciplinary art exhibitions online celebrating peace and reconciliation on the island of Ireland and internationally.


Framed by the Peace Process in Northern Ireland and peace building actions further afield, this gallery will feature artworks from artists working in a range of disciplines. Artworks will tell stories of fragmented histories, contested borders and actions of self-reflection and reaching out in the face of adversity and love. The gallery will look at ways to express multiple stories, acts of resistance interacting with non-violent manifestations and joy and hope for the future, enabling the telling of stories from the past that continue to resonate into the future as we shape a new present promoting equity and peace for all. The burning question is how to build a world promoting creative connections where all people are treated with dignity and respect.


This gallery currently holds an exhibition from the Bogside Artists, the sole creators of the world famous People's Gallery® in the Bogside area of Derry in the North of Ireland. The twelve large scale murals are a main visitor attraction in the city. For the artists themselves they are socialist in essence and transcend all sectarian and ideological conflicts that have afflicted the province since 1968. They are a human document.


Mural Images used with kind permission



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Gallery Four:


Art Nomads


This gallery is dedicated to showcasing the work of Art Nomads. Art Nomads is a collective of culturally diverse artists from migrant backgrounds living in Ireland; each with their own individual art practice and with the initial impetus to exhibit together.


The group, initially called the Migrant Artist Community, first came together in 2019. As a collective, the group is a valuable source of connectivity for its artists and creatives - for sharing information, collaborations, staging exhibitions, running workshops, conducting research and many other creative possibilities. The members are also individually active in the Irish and international art scene as visual artists, architects, poets, curators, performance artists and photographers. Their first exhibition ‘Transhumance: The Nomadic Artist: Part of This Land’, was held in February 2020 in Phizzfest: The Space, a gallery in Dublin 7. The group re-named as Art Nomads and then staged an exhibition online for World Refugee Week in June 2020 in collaboration with Christ Church Cathedral Dublin and Counterpoints Arts UK.


In September 2020 Art Nomads worked with curator of collections at IMMA, Christina Kennedy, to provide a series of participatory workshops ‘Mask, Myth and Multiple Cultures’ to complement their Paula Rego retrospective. In October 2020 the group were featured artists with the Arts and Human Rights Festival run by Smashing Times International Centre for The Arts and Equality. Art Nomads is evolving as a community and in 2021 they are working on an ambitious participatory film and online project ‘Souk/Bazaar’ supported by the Arts Council.


Art Nomads artists and active members are: Laragh Pittman, Antonio D’Souza, Joe Odiboh, Muhammad Achour, Roxana Manouchehri, Rajinder Singh, Amna Walayat, Hina Khan, Tomasz Madajczak, Kuasha Raihan and Insaf Yalçinkaya.



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Gallery One:


Dublin Arts and Human Rights Festival 2022



Welcome to the gallery space for the annual Dublin Arts and Human Rights Festival. The gallery contains information on what the festival is about,  the history of the festival and information on the current festival programme which takes place in October each year for ten days.  Smashing Times International Centre for the Arts and Equality and Front Line Defenders, in partnership with Amnesty International, Fighting Words, Irish Council for Civil Liberties, National Women’s Council of Ireland, Trócaire, and Poetry Ireland, present the annual Dublin Arts and Human Rights Festival showcasing and highlighting the extraordinary work of human rights defenders in Ireland and around the world, past and present, and the role of the arts and artists in promoting human rights today.


The festival is a celebration of human rights and links the arts to civil society, active citizenship, and politics through a series of inter-disciplinary performances, film screenings, documentaries, theatre, music, dance, visual and digital art, poetry, literature, and historical memory. The festival features creative conversations, panel discussions and arts-based workshops and a range of live events happening onsite and online, featuring Irish and international artists and guest speakers.


The festival runs on an annual basis and takes place in October each year for ten days.  The artistic curator for the festival is Mary Moynihan, Artistic Director, Smashing Times and the human rights curator is Laura O’Leary, Front Line Defenders.


History of the Festival
In 2019, Smashing Times and Front Line Defenders were delighted to come together to create the first Dublin Arts and Human Rights Festival, which took place in Dublin from 19 – 29 September.


Hosting a total of 19 events, including theatre performances, workshops, panel discussions, pop-up exhibitions and cabaret performances, the festival celebrated the arts for human rights, active citizenship, equality and diversity for all. In 2020, the festival moved online to great success, reaching a combined international audience of over 10,000. The festival’s theme was ‘Voices of Hope, Courage and Resilience’, and created an online space for connection in a time when we had to remain apart. The 2020 programme included 33 online events hosted over 10 days from 16 – 25 October.


In 2021, the festival ran its first hybrid edition, presenting over 70 works both online and onsite. 2021 saw the development of the Smashing Times Virtual Arts Centre and the creation of many of its
original galleries.


The 2022 festival took place from 14 – 23 October 2022, featuring over 80 events live onsite across Ireland, or online. The full programme is available to view on www.smashingtimes.ie The flagship event for the festival was the State of the Art: Transformative Memories in Political Violence exhibition, which was presented at Chocolate Factory, 26 King’s Inns Street, Dublin 1, displaying artworks reflecting at both personal and political levels on arts, human rights and transformative memory in political violence with artists exhibiting their work interrogating political violence in communities across the globe. This multi-media exhibition features video, poster art, visual art, photography, poetry, song, textiles, sculpture, painting, live performance and installation, with artworks by artists from Ireland, Northern Ireland, Pakistan, Colombia, Indonesia, Uganda, Canada, Chile and Argentina. The Co- Curators are Mary Moynihan and Amna Walayat.


Artists include Hina Khan, visual artist, Pakistan and Ireland; Sinead McCann, Visual Artist, Ireland; Erika Diettes, visual artist and social communicator, Colombia; Fernanda Barbosa, Visual Art, Photographer, Colombia; Alit Ambara, visual and graphic artist and cultural activist, Indonesia; Jeff Korondo, musician, Uganda; Juliane Okot Bitek, Poet, Canada; Peter Morin, performance artist, author, curator and professor; Roberta Bacic, Curator of Conflict Textiles, Northern Ireland and Chile and artwork by the Women’s Advocacy Network, Uganda. This exhibition can now be seen in the Virtual Arts Centre’s Festival gallery.


Today the festival runs on an annual basis showcasing and highlighting the extraordinary work of human rights defenders in Ireland and around the world, past and present, and the role of the arts and artists in promoting human rights today.
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Gallery Six:


Smashing Times Resource and Advice Service


The Smashing Times Resource and Advice Service is implemented by Smashing Times International Centre for the Arts and Equality and consists of the following elements:


* European Arts and Human Rights Network
* Artist Professional Development Programme
* European Resource and Advice Service on the Arts for Equality, Human Rights and Diversity - Multi-Media space providing information, resources and services
* Creative Arts for Health and Well-Being Hub
* European Arts and Human Rights E-Learning and Training Space


As part of its resource and advice service, Smashing Times International Centre for the Arts and Equality want to provide support and information to all interested in using the arts to promote equality, human rights and diversity. The company are currently working on a digital arts platform to host the above services and if you wish to receive regular updates, please join the Smashing Times mailing list.
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Gallery Two: Arts and Human Rights Festival


Guerrilla Girls


Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world.


The group formed in New York City in 1985 with the mission of bringing gender and racial inequality into focus within the greater arts community.


The group employs culture jamming in the form of posters, books, billboards, and public appearances to expose discrimination and corruption.


To remain anonymous, members don gorilla masks and use pseudonyms that refer to deceased female artists. According to GG1, identities are concealed because issues matter more than individual identities, "Mainly, we wanted the focus to be on the issues, not on our personalities or our own work."
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Gallery Two: Arts and Human Rights Festival


Direct Division


Direct Division is an art exhibition featuring children describing, in their own words and images their experiences of living in Direct Provision.


This gives insights into their past journeys, current life and hopes for their futures. The artwork and writing highlights how the rights and lives of these children are affected by Ireland’s Direct Provision system.


Direct Division amplifies the voices of children who are seldom heard. It allows children living in Direct Provision to talk about their experiences in their own words. The children’s identities are protected due to the sensitive nature of the content.


This exhibition is one output of a consultation with children living in Direct Provision by the Ombudsman for Children’s Office.
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Eternal Rebels Change-Makers Exhibition



To coincide with the 2023 Dublin Arts and Human Rights Festival, the Smashing Times Virtual Arts Centre and Gallery is displaying a digital rendering of a selection of ten artworks and stories from the Eternal Rebels exhibition. The ten artworks displayed online are created by artist Mary Moynihan, a writer, poet, theatre and filmmaker, and Artistic Director of Smashing Times International Centre for the Arts and Equality. The exhibition is presented for States of Independence, a major project celebrating the stories of change-makers from the Decade of Centenaries in Irish history linked to the stories of change-makers today working to make society a better place.


The ten artworks feature storytelling and photographic imagery and are a visual and poetic reflection on the stories of ten women change-makers in Irish history.


States of Independence
A Celebration of Changemakers


The exhibition is presented as part of a large-scale project States of Independence celebrating the stories of change-makers from the Decade of Centenaries in Irish history linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by artists, working in visual art, film, dance, theatre, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland, in Dublin, Kerry, Clare and Donegal, and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery.


---------------


Presented by Smashing Times International Centre for the Arts and Equality
As part of States of Independence – A Celebration of Change-Makers


Supported by The Arts Council Open Call


As part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media.


Presented for the annual international Arts and Human Rights Festival and Theatre in Palm.


- Sign up to the Smashing Times Newsletter
- Join the Smashing Times European Arts and Human Rights Network
- Donate to the Smashing Times onsite centre, the virtual arts centre and the annual Dublin Arts and Human Rights festival
- Book Smashing Times Events
- Support us on Facebook, Twitter, LinkedIn, Instagram
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Eternal Rebels Change-Makers Exhibition



To coincide with the 2023 Dublin Arts and Human Rights Festival, the Smashing Times Virtual Arts Centre and Gallery is displaying a digital rendering of a selection of ten artworks and stories from the Eternal Rebels exhibition. The ten artworks displayed online are created by artist Mary Moynihan, a writer, poet, theatre and filmmaker, and Artistic Director of Smashing Times International Centre for the Arts and Equality. The exhibition is presented for States of Independence, a major project celebrating the stories of change-makers from the Decade of Centenaries in Irish history linked to the stories of change-makers today working to make society a better place.


The ten artworks feature storytelling and photographic imagery and are a visual and poetic reflection on the stories of ten women change-makers in Irish history.


States of Independence
A Celebration of Changemakers


The exhibition is presented as part of a large-scale project States of Independence celebrating the stories of change-makers from the Decade of Centenaries in Irish history linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by artists, working in visual art, film, dance, theatre, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland, in Dublin, Kerry, Clare and Donegal, and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery.


---------------


Presented by Smashing Times International Centre for the Arts and Equality
As part of States of Independence – A Celebration of Change-Makers


Supported by The Arts Council Open Call


As part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media.


Presented for the annual international Arts and Human Rights Festival and Theatre in Palm.


- Sign up to the Smashing Times Newsletter
- Join the Smashing Times European Arts and Human Rights Network
- Donate to the Smashing Times onsite centre, the virtual arts centre and the annual Dublin Arts and Human Rights festival
- Book Smashing Times Events
- Support us on Facebook, Twitter, LinkedIn, Instagram
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The Smashing Times Virtual Arts Centre



Welcome to the Smashing Times Virtual Arts Centre created by Smashing Times International Centre for the Arts and Equality as a virtual home for the arts and human rights - featuring a range of galleries open to all.


The Smashing Times Virtual Arts Centre is a space where creativity, courage and resilience speak to us through the voices of artists, citizens and all those standing up for the dignity and rights of others. A cultural experience that everybody can enjoy, a space rooted in the past and future and living in the present, where all hearts are welcome, all voices heard and all stories told.


Our vision is to celebrate the role of the arts and artists in promoting human rights and to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world, past and present. The centre is a gathering space bringing together artists, activists, citizens and communities on the island of Ireland and across Europe and internationally.


The Smashing Times Virtual Arts Centre has a welcome foyer and six main gallery spaces:


Gallery One: Festival Gallery – Dublin Arts and Human Rights Festival
Gallery Two: Smashing Times Arts and Human Rights Gallery – Permanent Collection
Gallery Three: Sinners and Citizens State of the Art Gallery – A combination of permanent and rotating artworks
Gallery Four: Art Nomads Gallery
Gallery Five: Smashing Times Arts and Peace Gallery
Gallery Six: Smashing Times Resource and Advice Service


This Information Foyer is your first point entry and a gateway to the centre. Click on each of the panels in the foyer – listed below – to discover an overview of the virtual arts centre and what is on display in each gallery.


- About the Smashing Times Virtual Arts Centre
- Navigating the Space – Guide to the Virtual Arts Centre
- Curator Artistic Statement – Mary Moynihan
- About Smashing Times International Centre for the Arts and Equality
- Supporters and Funders


Thank you for visiting and experiencing the Smashing Times Virtual Arts Centre and we invite you to keep in touch and to support the Centre into the future.


- Sign up to the Smashing Times Newsletter
- Join the Smashing Times European Arts and Human Rights Network
- Donate to the Smashing Times onsite centre, the virtual arts centre and the annual Dublin Arts and Human Rights festival
- Book Smashing Times Events
- Support us on Facebook, Twitter, LinkedIn, Instagram
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Gallery Three:
Sinners and Citizens State of the Art Gallery


The Smashing Times Sinners and Citizens State of the Art Gallery is a collection of artworks created by artists from across Ireland who are interested in using their artistic practice to promote human rights. The theme is State of the Art: The Nation State as both Violator and Protector ofHuman Rights, and was created for the Dublin Arts and Human Rights Festival 2021. The artworks are presented in venues across Dublin for the duration of the festival, but are also shown in a new way online, in the Sinners and Citizens gallery. This gallery lets the audience view artworks up close, and provides information on all of the artists involved, creating an accessible and engaging space for people across the world.


‘Sinners and Citizens’ is taken from a quote from Seamus Heaney:


“As writers and readers, as sinners and citizens, our realism and our aesthetic sense make us wary of crediting the positive note. The very gunfire braces us and the atrocious confers a worth upon the effort which it calls forth to confront it.


This virtual exhibition features artworks created by artists who are taking part in State of the Art: The Nation State as both Violator and Protector of Human Rights, a project implemented by Smashing Times International Centre for the Arts and Equality and supported by the Arts Council.


The gallery supports the work of artists who are engaged in creative practice and research on national and international best practice examples of arts and human rights from across Europe, linked to sociological and anthropological standpoints and a study of ‘art as activism’ from the personal to the political.


The artworks are inspired by the theme State of the Art: The Nation State as both Violator and Protector of Human Rights and by the UN Declaration of Human Rights, intersecting with equality, human rights and diversity and created under the framework of ‘Art as a Place of Performative Remembrance’ and ‘Art as Activism and Transformation’.
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Direct Division


Direct Division is an art exhibition featuring children describing, in their own words and images their experiences of living in Direct Provision.


This gives insights into their past journeys, current life and hopes for their futures. The artwork and writing highlights how the rights and lives of these children are affected by Ireland’s Direct Provision system.


Direct Division amplifies the voices of children who are seldom heard. It allows children living in Direct Provision to talk about their experiences in their own words. The children’s identities are protected due to the sensitive nature of the content.


This exhibition is one output of a consultation with children living in Direct Provision by the Ombudsman for Children’s Office.


Please click exhibited artworks for individual details
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Dublin Arts and Human Rights Festival


Welcome to the gallery space for the annual Dublin Arts and Human Rights Festival. The gallery contains information on what the festival is about, the history of the festival and information on the current festival programme which takes place in October each year for ten days.


Smashing Times International Centre for the Arts and Equality and Front Line Defenders, in partnership with Amnesty International, Fighting Words, Irish Council for Civil Liberties, National Women’s Council of Ireland, Trócaire, and Poetry Ireland, present the annual Dublin Arts and Human Rights Festival showcasing and highlighting the extraordinary work of human rights defenders in Ireland and around the world, past and present, and the role of the arts and artists in promoting human rights today.


The festival is a celebration of human rights and links the arts to civil society, active citizenship, and politics through a series of inter-disciplinary performances, film screenings, documentaries, theatre, music, dance, visual and digital art, poetry, literature, and historical memory. The festival features creative conversations, panel discussions and arts-based workshops and a range of live events happening onsite and online, featuring Irish and international artists and guest speakers.


The festival runs on an annual basis and takes place in October each year for ten days. The artistic curator for the festival is Mary Moynihan, Artistic Director, Smashing Times and the human rights curator is Laura O’Leary, Front Line Defenders.


History of the Festival


In 2019, Smashing Times and Front Line Defenders were delighted to come together to create the first Dublin Arts and Human Rights Festival, which took place in Dublin from 19 – 29 September. Hosting a total of 19 events, including theatre performances, workshops, panel discussions, pop-up exhibitions and cabaret performances, the festival celebrated the arts for human rights, active citizenship, equality and diversity for all.


In 2020, the festival moved online to great success, reaching a combined international audience of over 10,000. The festival’s theme was ‘Voices of Hope, Courage and Resilience’, and created an online space for connection in a time when we had to remain apart. The 2020 programme included 33 online events hosted over 10 days from 16 – 25 October.


Today the festival runs on an annual basis showcasing and highlighting the extraordinary work of human rights defenders in Ireland and around the world, past and present, and the role of the arts and artists in promoting human rights today.





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Gallery Five:
Smashing Times Arts and Peace Gallery


Bogside Artists - The People's Gallery


Smashing Times are creating a virtual arts gallery space in order to display multi-disciplinary art exhibitions online celebrating peace and reconciliation on the island of Ireland and internationally.


Framed by the Peace Process in Northern Ireland and peace building actions further afield, this gallery will feature artworks from artists working in a range of disciplines. Artworks will tell stories of fragmented histories, contested borders and actions of self-reflection and reaching out in the face of adversity and love. The gallery will look at ways to express multiple stories, acts of resistance interacting with non-violent manifestations and joy and hope for the future, enabling the telling of stories from the past that continue to resonate into the future as we shape a new present promoting equity and peace for all. The burning question is how to build a world promoting creative connections where all people are treated with dignity and respect.


This gallery currently holds an exhibition from the Bogside Artists, the sole creators of the world famous People's Gallery® in the Bogside area of Derry in the North of Ireland. The twelve large scale murals are a main visitor attraction in the city. For the artists themselves they are socialist in essence and transcend all sectarian and ideological conflicts that have afflicted the province since 1968. They are a human document.




Images used with permission



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Gallery Four:
Art Nomads


This gallery is dedicated to showcasing the work of Art Nomads. Art Nomads is a collective of culturally diverse artists from migrant backgrounds living in Ireland; each with their own individual art practice and with the initial impetus to exhibit together.


The group, initially called the Migrant Artist Community, first came together in 2019. As a collective, the group is a valuable source of connectivity for its artists and creatives - for sharing information, collaborations, staging exhibitions, running workshops, conducting research and many other creative possibilities. The members are also individually active in the Irish and international art scene as visual artists, architects, poets, curators, performance artists and photographers. Their first exhibition ‘Transhumance: The Nomadic Artist: Part of This Land’, was held in February 2020 in Phizzfest: The Space, a gallery in Dublin 7. The group re-named as Art Nomads and then staged an exhibition online for World Refugee Week in June 2020 in collaboration with Christ Church Cathedral Dublin and Counterpoints Arts UK.


In September 2020 Art Nomads worked with curator of collections at IMMA, Christina Kennedy, to provide a series of participatory workshops ‘Mask, Myth and Multiple Cultures’ to complement their Paula Rego retrospective. In October 2020 the group were featured artists with the Arts and Human Rights Festival run by Smashing Times International Centre for The Arts and Equality. Art Nomads is evolving as a community and in 2021 they are working on an ambitious participatory film and online project ‘Souk/Bazaar’ supported by the Arts Council.


Art Nomads artists and active members are: Laragh Pittman, Antonio D’Souza, Joe Odiboh, Muhammad Achour, Roxana Manouchehri, Rajinder Singh, Amna Walayat, Hina Khan, Tomasz Madajczak, Kuasha Raihan and Insaf Yalçinkaya.



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Gallery Six:
Smashing Times Resource and Advice Service


The Smashing Times Resource and Advice Service is implemented by Smashing Times International Centre for the Arts and Equality and consists of the following elements


 European Arts and Human Rights Network
 Artist Professional Development Programme
 European Resource and Advice Service on the Arts for Equality, Human Rights and Diversity - Multi-Media space providing information, resources and services
 Creative Arts for Health and Well-Being Hub
 European Arts and Human Rights E-Learning and Training Space


As part of its resource and advice service, Smashing Times International Centre for the Arts and Equality want to provide support and information to all interested in using the arts to promote equality, human rights and diversity. The company are currently working on a digital arts platform to host the above services and if you wish to receive regular updates, please join the Smashing Times mailing list.






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Guerrilla Girls


Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world.


The group formed in New York City in 1985 with the mission of bringing gender and racial inequality into focus within the greater arts community.


The group employs culture jamming in the form of posters, books, billboards, and public appearances to expose discrimination and corruption.


To remain anonymous, members don gorilla masks and use pseudonyms that refer to deceased female artists. According to GG1, identities are concealed because issues matter more than individual identities, "Mainly, we wanted the focus to be on the issues, not on our personalities or our own work."


Please click exhibited artworks for individual details
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Smashing Times Arts and Human Rights Gallery - The Art of Rights



The Smashing Times Arts and Human Rights Gallery is a permanent collection that will be added to
each year. We are honoured to feature work by a range of artists from across Ireland and
internationally, showcasing artworks related to themes of equality, human rights and diversity.


The aim is to nurture a unique and innovative online home for celebrating and raising awareness of the arts for equality, human rights and diversity, a virtual space to showcase artworks and performances by diverse artists for diverse communities, inspired by themes of equality, human rights and diversity; courage, hope and resilience, and by human rights, climate justice and gender equality for all.


If you wish to donate an artwork for consideration for display in the gallery please contact
info@smashingtimes.ie for further information.





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Sound On!


Artists: Sinead McCann and AlanJames Burns


3 audio tracks with different lengths, 2021


Sound On! is a creative sound art project presenting experiences of human rights and happiness for and by people with an intellectual disability. The artwork was developed over a six-month period through weekly on-line creative workshops. Everyone learnt new digital skills including how to record their voices and sounds using accessible sound recording and editing software.


Sound On! was facilitated and led by artists Sinead McCann and AlanJames Burns in collaboration with Aidan Winters, Conor Begley, David Carter, David Deane, Frances Quinn, Jonathan Smith, Keith Whelan, Laura Hickey, Niamh Fortune and Sean Winder who were supported to create fun and self-expressive sound artworks. Co–designers Niamh and Conor worked closely with the artists to design the delivery of the Sound On! project. This project was fully supported by Saint John of God Liffey Services support staff led by Assistive Technology facilitator Sarah Boland and Suzanne Cunningham through the Online Engage Programme. The music composition was created in collaboration with composer Conor O’Malley.


The initial ideas and creative processes for Sound On! were created through a creative research and development phase of the project facilitated and led by McCann and Burns in collaboration with Alex Kennedy, Chloe Larkin, David Carter, Eric Nolan, Jonathan Smith, Rachel Coss and supported by Saint John of God.


This project is funded by the Arts Council Artist in the Community Scheme, managed by Create and Kildare County Council Creative Ireland Community Grant.


Click on the 'play' button to hear the audio



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The Smashing Times Virtual Arts Centre



Welcome to the Smashing Times Virtual Arts Centre created by Smashing Times International Centre for the Arts and Equality as a virtual home for the arts and human rights - featuring a range of galleries open to all.


The Smashing Times Virtual Arts Centre is a space where creativity, courage and resilience speak to us through the voices of artists, citizens and all those standing up for the dignity and rights of others. A cultural experience that everybody can enjoy, a space rooted in the past and future and living in the present, where all hearts are welcome, all voices heard and all stories told.


Our vision is to celebrate the role of the arts and artists in promoting human rights and to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world, past and present. The centre is a gathering space bringing together artists, activists, citizens and communities on the island of Ireland and across Europe and internationally.


The Smashing Times Virtual Arts Centre has a welcome foyer and six main gallery spaces:


Gallery One: Festival Gallery – Dublin Arts and Human Rights Festival
Gallery Two: Smashing Times Arts and Human Rights Gallery – Permanent Collection
Gallery Three: Sinners and Citizens State of the Art Gallery – A combination of permanent and rotating artworks
Gallery Four: Art Nomads Gallery
Gallery Five: Smashing Times Arts and Peace Gallery
Gallery Six: Smashing Times Resource and Advice Service


This Information Foyer is your first point entry and a gateway to the centre. Click on each of the panels in the foyer – listed below – to discover an overview of the virtual arts centre and what is on display in each gallery.


- About the Smashing Times Virtual Arts Centre
- Navigating the Space – Guide to the Smashing Times Virtual Arts Centre
- Curator Artistic Statement – Mary Moynihan
- About Smashing Times International Centre for the Arts and Equality
- Supporters + Funders


Thank you for visiting and experiencing the Smashing Times Virtual Arts Gallery and we invite you to keep in touch and to support the centre into the future.


- Sign up to the Smashing Times Newsletter
- Join the Smashing Times European Arts and Human Rights Network
- Donate to the Smashing Times onsite centre, the virtual arts centre and the annual Dublin Arts and Human Rights festival
- Book Smashing Times Events
- Support us on Facebook, Twitter, LinkedIn, Instagram
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The Art of W/Rights


A literary Carnival of Arts and Rights


Outdoor Site-Specific Shows, Live Projections, Pop-Up Installations and Creative Conversations promoting equality, compassion, and rights as part of In the Open | Faoin Spéir. Funded by The Arts Council.


As part of The Art of W/Rights, two parks in Dublin – Rathfarnham Castle Park and St Enda’s Park -play host to a carnival-style performing arts spectacle by Smashing Times International Centre for the Arts and Equality featuring site-specific outdoor shows of theatre, film, literary pop-up installations and creative conversations, promoting equality, compassion, and human rights in changing times.


Live performances take place at Rathfarnham Castle Park from the 18 to the 24 October 2021 for the annual Dublin Arts and Human Rights festival and live performances and outdoor cinema screenings will take place at the Pearse Museum, St Enda’s Park in April 2022.


The Art of W/Rights partners are Smashing Times International Centre for the Arts and Equality, Irish Modern Dance Theatre, South Dublin County Council Arts Office, Rathfarnham Castle, Pearse Museum and the Office of Public Works – Rathfarnham Castle Park and St Enda’s Park. The Art of W/Rights is funded by the Arts Council, South Dublin County Council Arts Office, the Creative Ireland programme of South Dublin, Erasmus+ and the Citizens, Equality, Rights and Values programme (CERV).


The programme generates a celebration of literature, visual and performing arts and discussion on key themes of equality, compassion and rights in a time of Covid.


Performances:


Walk in the Park: The Artist Speaks
Friday 22, 2.30pm https://smashingtimes.ie/event/walk-in-the-park-with-an-artist/
Saturday 23, 11am https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-2021-10-22/
Saturday 23, 4pm https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-4/
Sunday 24, 11am https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-3/


Walk in the Park: People Who Inspire
Friday 22, 3.30pm https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-2/
Saturday 23, 12pm https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-8/
Sunday 24, 12pm https://smashingtimes.ie/event/walk-in-the-park-people-who-inspire/
Sunday 24, 4pm https://smashingtimes.ie/event/walk-in-the-park-with-an-artist-10/





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Credits


Team & Media Credits, copyright notices, thank yous, Funders & Supporters etc


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Dublin Arts and Human Rights Festival


The Dublin Arts and Human Rights Festival celebrates human rights and links the arts to civil society, active citizenship and politics. Each year, the festival programme includes inter-disciplinary performances, film screenings, documentaries, theatre, music, dance, visual and digital art, poetry, literature, historical memory, discussions and arts-based workshops, featuring Irish and international artists and guest speakers celebrating and promoting dignity and respect for all people equally.


Over ten days, the festival brings audiences a mix of artworks that include the very best performances, vibrant dance acts, live music, visual art exhibitions and family fun, combined with stimulating discussion and debate. An assortment of workshops in performance, music, and song-writing are available for all ages as a part of this unique and vibrant festival of culture, arts and equality. The festival is a collaborative partnership showcasing world-class programming and presenting new and diverse artists and acts, with something for everyone to enjoy. The festival bears witness and remembers the past, explores the present and celebrates the future linked to equality and rights for all, highlighting the role artists can play in a new society.


History of the Festival
In 2019, Smashing Times and Front Line Defenders were delighted to come together to create the first Dublin Arts and Human Rights Festival, which took place in Dublin from 19 – 29 September. Hosting a total of 19 events, including theatre performances, workshops, panel discussions, pop-up exhibitions and cabaret performances, the festival celebrated the arts for human rights, active citizenship, equality and diversity for all.


In 2020, the festival moved online to great success, reaching a combined international audience of over 10,000. The festival’s theme was ‘Voices of Hope, Courage and Resilience’, and created an online space for connection in a time when we had to remain apart. The 2020 programme included 33 online events hosted over 10 days from 16 – 25 October.



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Dublin Arts and Human Rights Festival


The Dublin Arts and Human Rights Festival celebrates human rights and links the arts to civil society, active citizenship and politics. Each year, the festival programme includes inter-disciplinary performances, film screenings, documentaries, theatre, music, dance, visual and digital art, poetry, literature, historical memory, discussions and arts-based workshops, featuring Irish and international artists and guest speakers celebrating and promoting dignity and respect for all people equally.


Over ten days, the festival brings audiences a mix of artworks that include the very best performances, vibrant dance acts, live music, visual art exhibitions and family fun, combined with stimulating discussion and debate. An assortment of workshops in performance, music, and song-writing are available for all ages as a part of this unique and vibrant festival of culture, arts and equality. The festival is a collaborative partnership showcasing world-class programming and presenting new and diverse artists and acts, with something for everyone to enjoy. The festival bears witness and remembers the past, explores the present and celebrates the future linked to equality and rights for all, highlighting the role artists can play in a new society.


History of the Festival
In 2019, Smashing Times and Front Line Defenders were delighted to come together to create the first Dublin Arts and Human Rights Festival, which took place in Dublin from 19 – 29 September. Hosting a total of 19 events, including theatre performances, workshops, panel discussions, pop-up exhibitions and cabaret performances, the festival celebrated the arts for human rights, active citizenship, equality and diversity for all.


In 2020, the festival moved online to great success, reaching a combined international audience of over 10,000. The festival’s theme was ‘Voices of Hope, Courage and Resilience’, and created an online space for connection in a time when we had to remain apart. The 2020 programme included 33 online events hosted over 10 days from 16 – 25 October.



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______


Dublin Arts and Human Rights Festival


The Dublin Arts and Human Rights Festival celebrates human rights and links the arts to civil society, active citizenship and politics. Each year, the festival programme includes inter-disciplinary performances, film screenings, documentaries, theatre, music, dance, visual and digital art, poetry, literature, historical memory, discussions and arts-based workshops, featuring Irish and international artists and guest speakers celebrating and promoting dignity and respect for all people equally.


Over ten days, the festival brings audiences a mix of artworks that include the very best performances, vibrant dance acts, live music, visual art exhibitions and family fun, combined with stimulating discussion and debate. An assortment of workshops in performance, music, and song-writing are available for all ages as a part of this unique and vibrant festival of culture, arts and equality. The festival is a collaborative partnership showcasing world-class programming and presenting new and diverse artists and acts, with something for everyone to enjoy. The festival bears witness and remembers the past, explores the present and celebrates the future linked to equality and rights for all, highlighting the role artists can play in a new society.


History of the Festival
In 2019, Smashing Times and Front Line Defenders were delighted to come together to create the first Dublin Arts and Human Rights Festival, which took place in Dublin from 19 – 29 September. Hosting a total of 19 events, including theatre performances, workshops, panel discussions, pop-up exhibitions and cabaret performances, the festival celebrated the arts for human rights, active citizenship, equality and diversity for all.


In 2020, the festival moved online to great success, reaching a combined international audience of over 10,000. The festival’s theme was ‘Voices of Hope, Courage and Resilience’, and created an online space for connection in a time when we had to remain apart. The 2020 programme included 33 online events hosted over 10 days from 16 – 25 October.



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MASK: The Road To De Mask Us


Noelle McAlinden


The Art of Human Rights is a powerful film installation situated in the Lecture Theatre of the Chester Beatty featuring a selection of artworks displayed on screen created by artists working on State of the Art: The Nation State as both Violator and Protector of Human Rights.


Displayed on screen are artworks by visual artists Amna Walayat, Hina Khan, Noelle McAlinden and Sinead McCann, dance performances by John Scott, Irish Modern Dance Theatre, music by Elkin (Carla Ryan and Ellen O Mahony), writings by Féilim James, Mary Moynihan and Geraldine McAlinden and artworks from theatre and film artists Mary Moynihan, Geraldine McAlinden, Áine O Hara, Michelle Costello, Michael McCabe and Pamela McQueen, exploring themes of gender equality, migration, racism, feminism, disability rights, fragility, resilience, and more. Experience a kaleidoscope of visual art, theatre, dance, poetry, creative writing alongside responses by artists to key themes.


The Art of Human Rights is presented as part of the ‘State of the Art: Nation State as Both Violator and Protector of Human Rights’ project, funded by the Arts Council of Ireland.


Masks are also visible as large 3D Sculptures within the garden area of the Virtual Centre.


No booking necessary.


For more information https://smashingtimes.ie/event/the-art-of-human-rights/2021-10-15/



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The Golden Bride


Linda Greene


River of Thorns is a new play, written by Féilim James, directed by Eric Weitz, performed by Michelle Costello, designed by Áine O Hara and produced by Mary Moynihan and Freda Manweiler.


River of Thorns tells the story of Margaret Kearney Taylor, an Irishwoman who escapes extreme poverty to mix with the elite of Spanish society, running the prestigious Embassy tearoom in Madrid. Yet when the Second World War strikes, and word spreads of Nazi death camps, Margaret is compelled to act, to risk it all for the sake of humanity despite living in a fascist state.


Charting her journey from an austere English workhouse to the glamour of Spanish high life, to secret wartime saviour, this dramatic one-woman monologue is both riveting and moving, exploring what it means to be human in a time of massive injustice.


River of Thorns receives its world premiere at the Dublin Arts and Human Rights Festival, with five performances only taking place at the Chester Beatty hosted, Dublin Castle hosted by Smashing Times International Centre for the Arts and Equality in partnership IFESCOOP, Valencia, Spain; University of Hannover, Germany; and Akademia Humanistyczno-Ekonomiczna w Lodzi, Poland.


Each performance of River of Thorns is followed by a post-show discussion with the artists involved.


River of Thorns is presented as part of the ‘State of the Art: Nation State as Both Violator and Protector of Human Rights’ project, funded by the Arts Council of Ireland and as part of the ‘Forgotten Voices: Stories of Hope, Courage and Resilience from the Holocaust and WWII’ project, funded by the Citizens, Equality, Rights and Values programme of the EU.


Performances:
Friday 15, 11.30am - Booking: https://smashingtimes.ie/event/river-of-thorns/
Saturday 16, 1pm - Booking: https://smashingtimes.ie/event/river-of-thorns-2/
Sunday 17, 1pm - Booking: https://smashingtimes.ie/event/river-of-thorns-3/
Wednesday 20, 1pm - Booking: https://smashingtimes.ie/event/river-of-thorns-4/
Wednesday 20, 6pm - Booking: https://smashingtimes.ie/event/river-of-thorns-5/
Tickets: €15/€12



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