#: locale=en

## Action

### URL
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Molly Martin

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panorama_2C76973B_880E_C2B3_41DD_98C34DBEC552.subtitle = Misshapen States	- Molly Martin
panorama_2BC26776_8809_42B5_4197_2D1EFB64BBD8.subtitle = Something Happens to Time - Susan Hughes
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## Popup

### Body
htmlText_9EA4A7DB_880F_C1F3_41DB_37A623239DB8.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-family:'FS Joey Bold';">Returning you to the Main Gallery</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_D7481412_C2B2_214C_41D4_A8ECE23BCA55.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B>Notes on selection for the Royal Ulster Academy 2020 Annual Exhibition at the Ulster Museum,</B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B>Belfast.</B></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Every year the Royal Ulster Academy advertises an open call for entries to its Annual Exhibition which has been held in recent years at the Ulster Museum in Belfast. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The importance of the open invitation to participate means that accepted entrants can exhibit their work in the prestigious location of the Ulster Museum alongside other selected artists and established members of the RUA. It’s also a chance for the public to engage with a fully democratic, long duration, free admission exhibition which includes hundreds of pieces of work, showcasing the very best artwork</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">and the full breadth of talent from Northern Ireland, Ireland and beyond. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It seems that the quality increases each year and it’s such a difficult process to try to create a cohesive and engaging show</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">from an open call. The work submitted and exhibited contains examples of painting, drawing, sculpture, photography, video and many more disciplines. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">This year there were almost 1,300 entries to the exhibition of which 190 were ultimately selected for inclusion alongside RUA members. Amateur and professional artists are judged equally and anonymously and this ensures that the work is chosen solely on merit.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Though by its nature it’s an un-themed open call, there are notable similarities in people’s thought processes, especially this year as one very large experience of the coronavirus pandemic connects us all. It’s something everyone is aware of and naturally different people have responded visually to their situations in many ways. Some with humour and some with more serious considerations.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Selection has been a truly diplomatic and sympathetic process. There has been no correspondence between different selectors which means that what one might find appealing, another might not. In the end each artwork has been chosen very carefully during a two month period of thoughtful deliberation.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Throughout selection I wasn’t surprised to see many images of medical workers and their equipment. Lots of masks. Lots of notions about the lockdown situation and the experience of isolation that we are all living through. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">More positive pieces, an example would be Amanda Croft’s “Tea in the Time of Coronavirus”, add a sense of hope, humour and warmth to the selection and it’s a pleasant surprise to see them. In fact the word ‘hope’ appeared as a title to the many varied entries this year.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It’s a challenging, if not impossible task to select one work over another but an enjoyable adventure I imagine each selector had to go through, striving to envisage some sort of show that can display the most interesting of all the entries. It’s surprising to see the range of techniques and the subjects chosen, how the pieces might speak to one another, not to mention the anticipation of how they will be received by the viewer in the Ulster Museum. I know whenever I’ve looked at an exhibition there is always something I think about later. Something that stays with me. Something that I carry for a while. Could be something that one remembers as technically striking, unusual, funny, rude, thought provoking...   These things are all represented here in this year’s exhibition selection. And there were many more images that went through the selection process, really enough for another show. After a slow start in the submissions, there was such a great response from the public in the end. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">To create a show from it is very difficult and inevitably there are pieces that didn’t make the final selection. I think anyone who entered a piece of work and demonstrated the quality that the Annual Exhibition attracts these days should be proud to be a part of the experience. I know that’s little or no consolation to those not included but there can only be so many pieces in the final exhibition and it’s genuinely a welcome discovery to view so much good quality and varied work. There have been so many pieces to choose from, admittedly a very good problem to have but one that also leads to disappointment. So, it’s really appreciated by everyone involved that there was such a great response and keen support.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">What each selector I imagine is looking for ideally is a combination of work that can sit together comfortably to form a satisfying, eclectic and unified exhibition which the public can hopefully view and take away some things to discuss, maybe be encouraged by. Some may even leave the exhibition saying, “Well, next year I will enter something myself.” The show must be relatable, approachable, entertaining but also inspiring and intriguing.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">There are some connections between pieces chosen this year that I know won’t become apparent until the show is actually being hung on the walls. There will be many interesting combinations, similarities and juxtapositions that are yet to be found and are pleasantly rewarding. Skill in execution, originality and often a description of topical issues are often what make work stand out. Technical prowess evident in works by Catherine Creaney, Joe Dunne and Brian Gallagher. Humour, skill and intelligence involved in pieces by Stephanie Hess, Robert Russell and Paul MacCormaic.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The invitation has encouraged a truly open submission from Ireland and beyond and shows that there is no requirement to have an arts qualification or professional art history to take part and it’s a great opportunity to see the creative endeavours of both amateur and professional artists exhibited for a substantial period of time in this manner. It is without doubt the most popular events during the Northern Ireland arts calendar.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It’s important that the exhibition is once more held at the Ulster Museum. For a long while it was entirely possible that there might only be the chance of an online exhibition this year so it’s wonderful now, both for the RUA and the Ulster Museum to be able to say, “We’re here” with a physical collection of artwork. By having the show, displayed for everyone to visit, it’s a chance to see what other people have been going through in a time when we’ve all had to make sacrifices and overcome difficult situations. It shows how people have been productive and resilient during the crisis and how the RUA and museum are still there to support all sorts of artists by giving them a valuable platform in 2020 and for the years ahead.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Something more valuable now maybe than it ever was before.</SPAN></DIV></div>
htmlText_058DD463_56D3_27AF_41CD_F2CEA5C68737.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B>Notes on selection for the Royal Ulster Academy 2020 Annual Exhibition at the Ulster Museum,</B></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"><B>Belfast.</B></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Every year the Royal Ulster Academy advertises an open call for entries to its Annual Exhibition which has been held in recent years at the Ulster Museum in Belfast. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The importance of the open invitation to participate means that accepted entrants can exhibit their work in the prestigious location of the Ulster Museum alongside other selected artists and established members of the RUA. It’s also a chance for the public to engage with a fully democratic, long duration, free admission exhibition which includes hundreds of pieces of work, showcasing the very best artwork</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">and the full breadth of talent from Northern Ireland, Ireland and beyond. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It seems that the quality increases each year and it’s such a difficult process to try to create a cohesive and engaging show</SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">from an open call. The work submitted and exhibited contains examples of painting, drawing, sculpture, photography, video and many more disciplines. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">This year there were almost 1,300 entries to the exhibition of which 190 were ultimately selected for inclusion alongside RUA members. Amateur and professional artists are judged equally and anonymously and this ensures that the work is chosen solely on merit.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Though by its nature it’s an un-themed open call, there are notable similarities in people’s thought processes, especially this year as one very large experience of the coronavirus pandemic connects us all. It’s something everyone is aware of and naturally different people have responded visually to their situations in many ways. Some with humour and some with more serious considerations.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Selection has been a truly diplomatic and sympathetic process. There has been no correspondence between different selectors which means that what one might find appealing, another might not. In the end each artwork has been chosen very carefully during a two month period of thoughtful deliberation.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Throughout selection I wasn’t surprised to see many images of medical workers and their equipment. Lots of masks. Lots of notions about the lockdown situation and the experience of isolation that we are all living through. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">More positive pieces, an example would be Amanda Croft’s “Tea in the Time of Coronavirus”, add a sense of hope, humour and warmth to the selection and it’s a pleasant surprise to see them. In fact the word ‘hope’ appeared as a title to the many varied entries this year.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It’s a challenging, if not impossible task to select one work over another but an enjoyable adventure I imagine each selector had to go through, striving to envisage some sort of show that can display the most interesting of all the entries. It’s surprising to see the range of techniques and the subjects chosen, how the pieces might speak to one another, not to mention the anticipation of how they will be received by the viewer in the Ulster Museum. I know whenever I’ve looked at an exhibition there is always something I think about later. Something that stays with me. Something that I carry for a while. Could be something that one remembers as technically striking, unusual, funny, rude, thought provoking...   These things are all represented here in this year’s exhibition selection. And there were many more images that went through the selection process, really enough for another show. After a slow start in the submissions, there was such a great response from the public in the end. </SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">To create a show from it is very difficult and inevitably there are pieces that didn’t make the final selection. I think anyone who entered a piece of work and demonstrated the quality that the Annual Exhibition attracts these days should be proud to be a part of the experience. I know that’s little or no consolation to those not included but there can only be so many pieces in the final exhibition and it’s genuinely a welcome discovery to view so much good quality and varied work. There have been so many pieces to choose from, admittedly a very good problem to have but one that also leads to disappointment. So, it’s really appreciated by everyone involved that there was such a great response and keen support.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">What each selector I imagine is looking for ideally is a combination of work that can sit together comfortably to form a satisfying, eclectic and unified exhibition which the public can hopefully view and take away some things to discuss, maybe be encouraged by. Some may even leave the exhibition saying, “Well, next year I will enter something myself.” The show must be relatable, approachable, entertaining but also inspiring and intriguing.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">There are some connections between pieces chosen this year that I know won’t become apparent until the show is actually being hung on the walls. There will be many interesting combinations, similarities and juxtapositions that are yet to be found and are pleasantly rewarding. Skill in execution, originality and often a description of topical issues are often what make work stand out. Technical prowess evident in works by Catherine Creaney, Joe Dunne and Brian Gallagher. Humour, skill and intelligence involved in pieces by Stephanie Hess, Robert Russell and Paul MacCormaic.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">The invitation has encouraged a truly open submission from Ireland and beyond and shows that there is no requirement to have an arts qualification or professional art history to take part and it’s a great opportunity to see the creative endeavours of both amateur and professional artists exhibited for a substantial period of time in this manner. It is without doubt the most popular events during the Northern Ireland arts calendar.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">It’s important that the exhibition is once more held at the Ulster Museum. For a long while it was entirely possible that there might only be the chance of an online exhibition this year so it’s wonderful now, both for the RUA and the Ulster Museum to be able to say, “We’re here” with a physical collection of artwork. By having the show, displayed for everyone to visit, it’s a chance to see what other people have been going through in a time when we’ve all had to make sacrifices and overcome difficult situations. It shows how people have been productive and resilient during the crisis and how the RUA and museum are still there to support all sorts of artists by giving them a valuable platform in 2020 and for the years ahead.</SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;">Something more valuable now maybe than it ever was before.</SPAN></DIV></div>

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Label_9BC6C6B9_BCC7_F281_41C4_49B7343CEC74.text = Rachel Battersby - Kindred
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Label_6FA1B3FC_3DEC_7D08_41B5_3FF9A991F2D7_mobile.text = Richard Lawlor - Savage Nomad
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Label_A3636BCC_B6BE_7AC9_41A0_AB7BBCE2BE85.text = Rita Duffy PPRUA
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Label_AD26843C_B680_1BC0_41D6_90ABF47508B0.text = Serena Caulfield
Label_AD26843C_B680_1BC0_41D6_90ABF47508B0_mobile.text = Serena Caulfield
Label_99251218_B985_8549_41D8_CB0AF4B210E9.text = Sharon Kelly RUA - Cut Outs  (Diptych)
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Label_6503966E_3DE4_C708_41C9_2ADA18029FD9.text = Sharon Kelly RUA, His Warm Puffa Coat (Diptych)
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Label_9011790A_B680_2DC0_41DA_C87A0F74C3B1.text = Silvia Mandic - Making a Way 
Label_9011790A_B680_2DC0_41DA_C87A0F74C3B1_mobile.text = Silvia Mandic - Making a Way 
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### Tooltip
WebFrame_B0B2839C_8366_214E_41D8_1388C8DA0AB8_mobile.toolTip = 138th Annual Exhibition 2019
WebFrame_B0B2839C_8366_214E_41D8_1388C8DA0AB8.toolTip = 138th Annual Exhibition 2019
TabPanel_95ECEFCF_B5E5_8508_41DC_8B5CA6898B48.toolTip = Artist list sorted by surname
TabPanel_95ECEFCF_B5E5_8508_41DC_8B5CA6898B48_mobile.toolTip = Artist list sorted by surname
IconButton_32043E32_1805_65A4_4186_E77813A052D6_mobile.toolTip = Close Menu
IconButton_381E6F23_2366_D40C_41B8_7DCBCFB1969A_mobile.toolTip = Full Screen
IconButton_381E6F23_2366_D40C_41B8_7DCBCFB1969A.toolTip = Fullscreen
IconButton_38CE8EE2_2367_F40C_41B2_D41800F6662C.toolTip = Sound On / Off
IconButton_38CE8EE2_2367_F40C_41B2_D41800F6662C_mobile.toolTip = Toggle Sound On / Off
IconButton_CA88166D_E228_8ACB_41C8_52716CEEB836.toolTip = Turn Sound on/off
IconButton_CA88166D_E228_8ACB_41C8_52716CEEB836_mobile.toolTip = Turn Sound on/off
IconButton_3F6C113F_2366_4C74_4187_D6584EB892A1_mobile.toolTip = VR is available on this device
IconButton_3F6C113F_2366_4C74_4187_D6584EB892A1.toolTip = VR is available on this device

## Tour

### Description
tour.description = 141st Annual Exhibition of the Royal Ulster Academy of Arts

### Title
tour.name = RUA 2022